Jethro Ames making a stop-motion video in his garage studio.CreditSandy
Huffaker for The New York Times
Good
thing social media did not exist during the era of “Mad Men.” It might have put
Don and Peggy out of business.Brands and advertisers, looking for ways to reach
audiences beyond television screens and magazine pages, are turning to people
with many followers on social media and paying them to pitch products online.
The social media stars, in turn, are finding that working as a conduit for a
brand can be quite lucrative — sometimes generating more than enough money to
live on.
Robby
Ayala, for example, dropped out of law school to pursue his career as a
full-time video creator on the video service Vine, publishing several
goofy six-second movies to his 2.6 million followers each day.
Last summer, he got a call from Niche, a company that wanted to hire him to
make a short commercial for GroupMe, a messaging application, and post it for
his followers to see. Mr. Ayala, a natural ham, made a short comedy
skit of himself using GroupMe to text his friends a selfie
photo. He accepted the job, and others like it, which pay several thousand
dollars, and he has not looked back since.
Photo
Rob Fishman, a founder of Niche, in
its New York offices. Niche matches social media stars with marketers and
advertisers.CreditOzier Muhammad/The New York Times
“I saw
how it could be more of a profession than a hobby,” he said. “I wanted to be a
part of it all.”
Mr. Ayala and others like him have joined a
long line of innovators who have found clever ways to build businesses on top
of existing websites and platforms — often before the services themselves have
figured out how to make money. The early days of the iPhone, Facebook and
Twitter, for example, were defined by the applications built by developers for
those products and services. This latest incarnation follows the tradition.
Only this time, advertisers are tapping popular personalities and characters on
Vine, owned by Twitter, to make microcommercials in the same spirit and style
that made the social media account popular in the first place.
Mr. Ayala made a name for himself on Vine by filming humorous
skits with his friends and family that made use of his boyish good looks and
physical comedy. In November, Mr. Ayala joined Niche full time, to work as the
company’s creative partnership manager, which he described as helping other
Vine users polish their content and make videos for advertisers. In many ways,
Niche has become a talent scouting service and advertising agency rolled up
into one — it matches social media stars with marketers and advertisers who
want to reach the young users who inhabit those platforms full time. Those
users then make content — like Instagram images or Vine shorts — around a
company or product, like baby clothes or a sports drink, and post it to their
accounts for their followers to like and comment on. Niche says that it has
close to 3,000 social media accounts, with a total reach of 500 million
followers. The agency has worked with roughly 70 brands, including Home Depot,
General Electric and Gap Kids.
Liz
Jones, executive vice president for digital marketing at Relativity EuropaCorp
Distribution, a media company that produces feature films and television shows,
said that Niche was just one outlet of many that she used to market her
company’s offerings. Ms. Jones turned to Niche recently when she wanted to
market a coming children’s movie, “Earth to Echo.” The company flew a handful
of popular users on Vine and Instagram to meet the stars of the film and post
about it on their various social media accounts. The company wanted to reach
young users “in a way that’s really in their world, rather than just with our
regular ads,” she said.
And she
wanted to make sure that “Echo,” which had no boldface-name stars, did not go
unnoticed by her target demographic.“I’m a big believer in that influencer
marketer,” she said, “or someone telling you that something is cool and that
you should like it.” The resulting Vines and Instagrams directly correlated to
spikes in traffic to the film’s Wikipedia page and views of the trailer on
YouTube, she said, and that is what she had hoped for. “That’s all I wanted to
do at that point,” she said. “Just spark their interest so that if they don’t
know about the movie, they look it up and are talking about it.”
Rob
Fishman, one of the founders of Niche, described the service as a “native ad
factory,” referring to the kinds of advertisements that look somewhat similar
to the content around them. “It’s not canned content; it looks and feels like
the native content in their native feeds,” he said. Native advertising is one
of the fastest-growing types of advertising, especially on mobile devices. The
format has raised questions from federal regulators about how paid content that
blurs the line between editorial content and ads should be identified to users.
The
government already requires that sponsored posts, paid search results and
promoted posts must be denoted as such, but has not yet set additional
guidelines. Many expect that it will do so, to help consumers distinguish
between regular posts and advertisements. In the case of Niche, posts usually
include a comment or hashtag referring to the company they are promoting for
their followers, but there is no mention that the video is an advertisement.
Mr. Fishman said that the company encouraged social media celebrities who
participate in promotions to use language like “I’m partnering with” or
“teaming up with” or even hashtags like #sponsored or #ad to help consumers
distinguish between them.
Jethro Ames, 35, who lives in San Diego, described himself as a
“traditional print designer” who built a career on print ads and logos when he
started making stop-motion videos and posting them on Vine.
Eventually, the demand for his stylistic Vines outpaced his traditional print
work, and he quit to work on social media full time. He even transformed the
two-car garage in his home into a production studio for his social media
creations.
Many of
his videos are posted by the brand account he works for, like Home Depot,
making it clear they are promoting the company.
Creating
Buzz With Vines
Advertisers are tapping popular personalities
on Vine to make micro-commercials in the same spirit that made the social media
account popular in the first place.
Jethro
Ames transformed the two-car garage in his Southern California home into a
production studio where he has created many Vines for major brands. Sandy
Huffaker for The New York Times
“People
don’t sit around watching prime-time TV waiting for ads to appear anymore,” he
said. “They watch online or even through the Twittersphere. It’s powerful.”
Mr.
Fishman says that campaigns through Niche pay a broad range of fees, from $500
to as much as $50,000, but the average payout for a Vine campaign ranges in the
mid-four figures. Mr. Ames declined to say how much he earned, but said people
posting advertisements on Vine can make six figures a year, and some as much as
$300,000. Niche itself makes money, too, Mr. Fishman said. The company, which
has a few more than a dozen employees split between San Francisco and New York,
has generated more than $1.5 million in revenue since its inception last June
and expects to bring in over $4 million by the end of the year.
The
company recently raised $2.5 million in venture financing from SoftTech, Lerer
Ventures and SV Angel, among others, at an $11 million valuation. Mr. Fishman
said he and Darren Lachtman, Niche’s other co-founder, hoped to create the
future of advertising on mobile phones. Companies “don’t have to pay to hire
Don Draper” for expensive print and television ads, he said. “They can come to
us to create it.”
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